Children’s testing
Posted by Shotokan_Dad in Teaching on January 12th, 2010
Could anyone explain their philosophy on how children, say 6-10 years old, are graded for their Kyu exams in contrast to adult testing?
I know each dojo or organization is different, but children obviously have less control of their body, and their Kata, Kihon and Kumite are usually not at a level that an adult would be required to demonstrate for promotion.
For example, a child's back stance could be off during their kata, or the child keeps coming up out of a front stance during their kata. The child may pass the examiniation, but an adult would not.
I would appreciate any feed bac
Karate Exams
Posted by go shotokan karate in Teaching on December 13th, 2009
Hello fellow karate friends,
I am a brown belt- a 3rd KYU. I've got my grading today!!! I'm really scared but i know i'll pass because my friends,family, and even sensei's say i'm ready. When this is all over- i'll be really really pleased. Wish me luck!!!
Best Wishes.
Go shotokan Karate
Website Launched
Posted by KomodoDragon in General on December 9th, 2009
Good Morning everyone!
The Springdale Karate Club has finally made their website official. We've been working on it for a few months, and finally got something we think everyone will enjoy.
We've posted some common videos on it for the time being, and will post and replace some with our own content as we get the chance to film with our Sensei.
Have a great day and stop by and visit:
www.springdalekarateclub.ca
Ossu
Kokutsu-dachi training
Posted by badaboom in Tips & Techniques on November 29th, 2009
I've recently seen a video of my net friend with yellow belt doing kata Heian Nidan. For yellow belt kokutsu-dachi is a new stuff and as I watch many advanced karatekas, also a very hard to perform even for advanced. I tried to remind myself having a yellow belt but it was so long time ago that my memory reconstructs only my belt 
But to the point.
I had decided to work on my kokutsu dachi, then in the evening I was training Kanku Dai at home: the part with mae geri and manji uke. Kokutsu dachi wasn't the main part of my training but my attention naturally was focused a bit on it because of the earlier decision.
Sensei Dario Marchini and Sensei Christina Restelli
On 20-22 November we played host to Sensei Dario Marchini (6 dan) and Sensei Christina Restelli (6 dan).
Sensei Dario Marchini is famous for his excellent technique, he was also the only person who's got championship in both world karate federation: WUKO (now WKF) and ITKF. Also the coach of italian national team to 2009.
His wife, Sensei Christina Restelli is also a wonderful competitor with many important medals.
First Sensei Dario led training for black belts only and they did Sochin (Friday evening). On Saturday we had all together two training sessions, 2 hours each. First part of training was always conducted by Sensei Marchini and we train together with lower grades. It was special Taikyoku form on Saturday - with changed block and punches (I had a fever so I was absent on the first training, especially I've passed with this fever my exam the day earlier). Then the advanced group did some kumite exercises.
is there a shotokan technique…..
Posted by brinn in Tips & Techniques on November 25th, 2009
i was wondering if anyone could help name this technique or have practiced it
im gonna tie the question to a kick so bare with me...
you know how we have a staight kick, outside round house and inside round house??
we have a staight punch, outside roundhouse punch, is there an inside roundhouse punch?
kinda like a backfist action with fist but with a punch feeling??
any know if this or am i just playing aroun tomuch with my waza
2009 Fall Camp Phoenix, Arizona
Posted by Chuck Coburn in General on November 18th, 2009
Fall Camp 2009:
What a great camp we had this fall with Master Okazaki, Sensei’s Field. This was my first training with Master Okazaki and, although there was a lot to learn, what really stayed with me was his telling us to “go back to the beginning” and “to move forward, you must go back”. It was his way of saying we must never forget the basics and always practice and return to them. This is the foundation of Shotokan karate and should never be forgotten.
Master Okazaki was a student of Master Funakoshi, founder of Shotokan, as well as Master Nakayama and was sent to the US in 1961 to spread Shotokan karate to the Western world. He was only supposed to be here for 6 months but as we see, he has remained here to teach us the Way. I also had the honor of testing for Nidan with Master Okazaki and I must say it was rather intimidating to perform in front of such a legend in our art.
It was truly an honor to train with these gentlemen and continue to carry on their teachings to the next generation of karateka.
Oss!
Sincerely,
Matt Tomory
The 1st Annual Fall Karate Dô Camp and Cactus Cup Championship Tournament 2009
During the camp Master Okazaki taught us a series of basic combinations to practice outside of our regular karate classes. The combinations started simple, but with each session he added more complexity, focusing on hip rotation and the development of more powerful techniques through proper body mechanics. We also practiced one step sparring with multiple attackers, starting basic then moving up to multiple attackers with random attacks.
There are a couple of points that stand out for me from my time with Master Okazaki. First was the importance of training outside of formal karate classes, even if it is for a short amount of time. He stressed the point that if we can train the basic combinations he taught us for 15 minutes each day outside of class our performance in class would significantly improve over time.
Second, was the concept of Seika Tanden. I realized that though simple in appearance this concept can potentially have a profound impact on my practice of karate. Master Okazaki referred to seika tanden as a point located slightly below the navel, in the lower abdomen. If a karateka can focus their mind at this point during a movement, the movement will be biomechanically correct and naturally have strength, power and flow. For example, if we are punching without focusing on this point, our punches can potentially come from our upper body, shoulders and arms. However if we do the same punch yet focus our minds on seika tanden then we naturally integrate our full body into the punch and generate much more power.
Since that weekend I now have a new mantra when I practice, “seika tanden, seika tanden, seika tanden.” Thank you Master Okazaki!
Andrea Lore

Master Okazaki 09 Fall Camp Phx
makiwara covering-LEATHER BELT
Posted by djb in Training Plans on November 5th, 2009
Due to other committments i find that i use my makiwara very rarely, and having straw rope surface i didnt have the build up of skin and constantly ended up with scabs bruises and blood, even after only 10 minutes or so of practise. As the solid calous' take years of daily training to build up. My discontinual, sporadic training was like going back to stage 1 every time.
personally it didnt bother me but being a student it was frowned upon and it is rather unsightly writing at a desk looking like a gypsy boxer.
so instead of giving up my makiwara practise altogether i have replaced the very abrassive straw rope with A LEATHER BELT. It has worked for me very well as it is nowhere near as abrassive but still fairly unforgiving.
Training plan for more advanced
Posted by badaboom in Training Plans on November 4th, 2009
This is my training plan based on Sensei Nishiyama's book and also on Sensei Nakayama's. Maybe it would be useful for somebody else.
First 16 weeks are just basics (without kumite, cause it's an individual plan but you can add kihon ippon here and 30 minutes more). I added here my katas but you can of course modify it.
So here goes the beginners and intermediate block for 6 days a week for 1.5 hour (or 2 hours with kihon ippon kumite). It's rather for 8 kyu and more but lower grades can also modify it for themselves.
1st week
BASICS
1. zuki -> in shizen-tai, in kiba-dachi; focus on lower part of the body, don't hit from your shoulders